Performance, Theatre & Readings

OCTOBER 4TH – 7TH, 2018
AT HISTORIC FORT YORK, TORONTO
TALKING TREATIES SPECTACLE (REMOUNT)
A MOBILE HISTORICAL MUSICAL PERFORMANCE

Birds Make Me Think About Freedom 

 

Talking Treaties Spectacle

Indigenous Arts Festival
Fort York, June 23 & 25, 2017
Co-writer, with Ange Loft

Talking Treaties crowd

 Talking Treaties Spectacle 

Read review

 

Hado 

choreographed by Sachar Zarif

Performer,
Dance Ontario Weekend,
Paula Fleck Dance Theatre,
January 16, 2016.

Hado with Sashar Zarif

 

Ignite experimental open house 2015

IGNITE! Experimental Open House and Presentation

Historical Presenter, Participating artist
Canadian Music Centre, Toronto
September 12, 2015

A collaboration between Jumblies Theatre, Musica Reflecta, and the Canadian Music Centre, that brought 6 composers and over 20 musicians, dancers, visual artists, and actors together for one day to create and performed six site-specific aural/theatrical compositions that were developed in response to my presentation on the Indigenous history of Toronto. Presenter and participating artist.

UNDERNEATH: A City Place Cantata

My poem “Fish Refuse Coming into the River” was included in the libretto of this new cantata commissioned by Jumblies Theatre. Performed June 26, 2015, George Brown Waterfront Campus, and June 10 and March 28, 2015 at The Ground Floor, Jumblies Theatre. Music composed by Martin van de Ven, with original songs by Rosary Spence, featuring Vania Chan, Brian Katz, Arie van de Ven, Shifra Cooper, Victoria Peter, members of the Ground Floor and Making Room Community Choirs .Underneath March 28 2015

TRAIN OF THOUGHT

Participating artist, May 22-27, 2015,
Winnipeg, Kenora, Thunder Bay, White River, Sudbury, Toronto

Jumblies Theatretrain of thought logo -with new font-

Train of Thought was an amazing cross-Canada odyssey by train, bus, and car, an evolving community arts journey from west to east coast, “a counter-colonial route to collect and share stories, buried histories and imagined landscapes of the land where we live: as it might have been, as it is, as it could be: drawing on perception, memory, history and imagination; merging whimsy and serious intent, bringing together artists and community members, the land’s first people and all those who have found refuge here over the years and generations.”

See my  Traveller of the Day Blog for May 27

BELONGINGNESS

Sol-Express-Belongingness

THEATRE: Dancer/performer,

April 11, 2015
A Sol Express Production
Paper Mill Theatre
Todmorden Mills

STAND UP, STAND OUT

SPOKEN WORD PERFORMANCE, June 14, 2014, Guildwood Park, Scarborough
Writer/performer

Contributing artist to Restless Precinct, a site specific, group exhibition and performance series developed by curatorial collective SUM°, which transformed Scarborough’s Guildwood Park through engagement with the landscape, architectural fragments and communities that populate and absent the site. Curated by Reena Katz and Alize Zorlutuna.

Courtesy Margaret Christakos
Courtesy Margaret Christakos

 Stand Up, Stand Out

In a world of racial hierarchies that tried to tag him as inferior and “below” Europeans, Oronhyatekha, a Mohawk doctor and the Supreme Chief Ranger of the International Order of Foresters, built the tallest building in the British Empire — at the corner of Bay and Richmond streets in downtown Toronto.

My spoken word performance/collage brought the remaining fragments of the facade of Oronhyatekha’s 1895 Temple Building into dynamic conversation with two texts. The first was the 1904 catalogue of his collection of artifacts, which was displayed in the Temple Building and included “exotic curiosities” from his travels, miniatures of architecturally famous buildings, and historically and culturally significant items from the Indigenous nations of the Great Lakes. This collection was donated to the Royal Ontario Museum soon after the museum was founded, and some of it is still on view today. The second text consisted of two letters to the editor written by Oronhyatekha and published in the Toronto Daily Mail in December 1875 in response to letters by white men disparaging Indigenous and Six Nations people and in particular their treatment of women. My words – and Oronhyatekha’s – played with elevations, appearances, comparisons, collections, and what remains.

TORNTornPoster

THEATRE, June 19-20, 2013, Papermill Theatre, Todmorden Mills
Dancer/Choreographer/Co-Writer

A Production of Sol Express

Sol Express is made up of individuals with intellectual disabilities who work with program director Cheryl Zinyk, and with other professionals in the creative community, to develop skills in drama, dance, voice and art. Sol Express’ goal is to promote opportunities for individuals with intellectual disabilities and to allow them to share their gifts with others through creative expression.

TORONTO SEDER

CEREMONY, April 1, 2013, Ward Island
Co-Writer

Indigenous singing (1 of 1)
Indigenous singer Marie Gaudet and granddaughter Photo: Mark Fawcett
reading at seder (1 of 1)
Reading at Seder. Photo: Mark Fawcett
seder plate (1 of 1)
Photo: Mark Fawcett

 

 

Reworked Jewish Seder ceremony incorporating the Indigenous history of Toronto, with Ruth Howard, artistic director of Jumblies Theatre, First Nations singers Rosary Spence and Marie Gaudet, and First Nations chef Peter Jones.

 

NAGAMO

SONG-WRITING WORKSHOPS, Fall-Spring 2012-13, Cedar Ridge Creative Arts Centre, Scarborough

Historical consultant and participant in song-writing workshops incorporating the Indigenous history of Toronto, with First Nations singers Rosary Spence and Marie Gaudet, Jumbies Theatre director Ruth Howard, as well as musician Cathy Nosati and singer Sharada Eswar for a Scarborough youth group, Tamil seniors groups, and Scarborough Native Child and Family Services, hosted by Jumblies Theatre, Fall/Spring 2012-13.

Cathy Nosati, Rosary Spence, Sherada Eswar and Tamil seniors. Photo: Jumblies
Nagamo 3
Nagamo participants from Native Child & Family Services Photo: Jumblies Theatre

LET OUR GHOSTS BE SPIRITS

THEATRE WORKSHOP PRODUCTION, April 22, 2011, The Theatre Centre
Historical consultant and writer

Let Our Ghosts Be Spirits, a play about the Indigenous history of Toronto, was co-created with Indigenous theatre artists Jani Lauzon and Penny Couchie. Produced by One Spoon Productions.

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